35mm Camera Packages

Arricam Lite

The ARRICAM LT is ARRI’s latest sync sound lightweight camera that is beautifully designed for filming handheld and steadicam shots. In addition, it serves just as well as an extremely quiet studio camera.

Other features of our ARRICAM LT include:

• The preferred Universal Studio Viewfinder which transmits significantly more light to the operator’s eye.
• Medium and long viewfinder extensions.
• ARRIGLOW module.
• The ARRICAM Speed Control Box which executes speed ramps with or without exposure compensation through the camera’s electronic shutter or lens iris (In addition, this unit will allow the camera to sync up with video monitors and film projectors).
• Electronic shutter adjustable from 0º to 180º.
• Forward running speeds of 1 to 48 fps.
• Reverse running speeds of 1 to 32 fps (With studio magazines only).
• Dual pin registration
• The camera accepts the 400’ Shoulder, Steadicam and Studio magazines as well as the 1000’ Studio magazines.
• 100% video top and low mode bracket for Steadicam use.
• Camera can be set up for regular and Super 35.

• The standard Arricam Lite package includes:
• camera body
• swing over view finder
• sliding base plate
• long and short rods
• ground glass
• 2 power cables
  

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Arricam Studio

The Arricam Studio is ARRI’s latest ultra quiet and quite rugged studio camera.  It performs all the basic camera functions one would expect and also sports an electronically adjustable mirror shutter, beautiful integrated video assist system and its magazines can be top or rear mounted according to your production needs.

Other features of the Arricam Studio include:

• The preferred Universal Studio Viewfinder which transmits significantly more light to the operator’s eye.
• Medium and long viewfinder extensions.
• ARRIGLOW module.
• The ARRICAM Speed Control Box which executes speed ramps with or without exposure compensation through the camera’s electronic shutter or lens iris (In addition, this unit will allow the camera to sync up with video monitors and film projectors).
• Dual pin registration.
• 3 and 4 perf capable.
• Electronic shutter adjustable from 0º to 180º.
• Forward running speeds of 1 to 60 fps.
• Reverse running speeds of 1 to 32 fps (With studio magazines only and speed control box).
• The camera accepts the 400 and 1000’ magazines.
• 100% Studio video top and low mode bracket for Steadicam use.
• Camera can be set up for regular and Super 35.

• The standard Arricam Studio package includes:
• camera body
• swing over view finder
• sliding base plate
• long and short rods
• ground glass
• 2 power cables

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Arriflex 535A

The 535A sync sound camera operates at preset speeds of 24, 25, 29.97, and 30 fps and is also capable of speeds from 3 to 50 fps, forward and reverse. The camera is equipped with a programmable electronic variable shutter adjustable from 11 to 180 degrees, a swingover viewfinder, and Arriglow. The 535A camera has time code capabilities and permits frame rate and shutter angle changes while running. The camera can be set up for regular or Super 35.

• The standard 535A package includes:
• Camera body
• Wide angle eyepiece
• Extension eyepiece
• Eyepiece leveling rod
• Variable speed unit
• Variable shutter unit
• Sliding base plate
• Long & short rods
• Gelatin filter holders
• TV Ground glass
• 2 - power cables

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Arriflex 535B

The 535B sync sound camera operates at preset speeds of 24, 25, 29.97 and 30 fps, as well as 3-60 fps, forward and reverse, with a built-in speed control. The camera is equipped with a variable shutter adjustable from 11 to 180 degrees, a swingover viewfinder, Arriglow and time code. The 535B camera can be configured for hand held and Steadicam use. The camera can be set up for regular or Super 35.

• The standard 535B package includes:
• Camera body
• Wide angle eyepiece
• Extension eyepiece
• Eyepiece leveling rod
• Sliding base plate
• Long & short rods
• Gelatin filter holders
• TV Ground glass
• 2 - power cables

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Arriflex 435ES

The 435ES m.o.s. camera operates at preset speeds of 23.976, 24, 25, 29.97 and 30 fps. It has a built-in speed control which allows it to operate from 1 to 150 fps in forward and reverse. The camera is equipped with a programmable electronic variable shutter from 11 to 180 degrees and allows speed and shutter changes within a shot. The 435ES camera also includes a swingover viewfinder, Arriglow and time code. The camera can be set up for regular or Super 35.

• The standard 435ES package includes:

• Camera body
• Wide angle eyepiece
• Extension eyepiece
• Eyepiece leveling rod
• Right hand grip
• Sliding base plate
• Long & short rods
• Gelatin filter holders
• TV Ground glass
• 2 - power cables

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ARRIFLEX 235

The ARRIFLEX 235 is a lightweight, modern 35mm film camera that is perfect for handheld, steadicam, remote and “C” camera work.  This PL mounted camera accepts dozens of 35mm lenses and features a bright optical viewfinder making it very desirable for any DP.

Features of the 235 include:

• Bright swingover viewing system
• Uses the same ground glasses as the 435
• 235 magazines include 200’, 400’ and 400’ Steadicam models
• Also uses 400’ 435 magazines as well as 200’ and 400’ 2C/35-3 magazines
• 35/Super 35 formats
• PL lens mount
• Single pin registration
• Speeds from 1 to 75 fps
• Manually adjustable shutter from 45 to 180º
• Compact integrated video assist
• Can be used with ARRI’s RCU, WRC, ICU, ESU and Wireless Remote System.
• Will execute speed ramps with Iris Control Unit (ICU).

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Aaton 35-III

The 35-III sync sound camera is one of the smallest and lightest hand held 35mm cameras available, weighing only 18 lbs with a 400’ load, prime lens and battery. The camera is capable of 3 to 40 fps with a built-in speed control. It has a 4 stage shutter 180, 172.8, 150 and 144 degrees, Aatonite illuminated ground glass and swing over viewfinder. The ergonomically designed magazines are set up for quick change out. The parallel attachment ports at the top and bottom of the camera allow it to be mounted on a Steadicam in a matter of minutes. The camera can be set up for regular or Super 35 and incorporates the easy to use Aaton time code.

• The standard Aaton 35-III Package includes:
• Camera body
• Wide angle eyepiece
• Extension eyepiece
• Eyepiece leveling rod
• Right hand grip
• Left hand grip
• Sliding base plate
• Long & short rods
• Aaton mini rods
• TV Ground glass
• 2 - power cables

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16mm Camera Packages

ARRIFLEX 416 Plus

The ARRIFLEX 416 Plus is a lightweight, modern Super 16 film camera that is perfect for handheld, steadicam and studio work.  This PL mounted camera accepts dozens of 35 and 16mm lenses and features a bright 35-style optical viewfinder making it very desirable for any DP.  In addition, the 416 Plus has an amazingly low sound level, a speed range from 1 to 75 fps, completely new lightweight ergonomic design, integrated video assist and wireless lens control system option.  Simply put, the 416 Plus is one of the most powerful, flexible and portable Super 16 cameras ever built.

Features of the ARRIFLEX 416 Plus include:

• Bright swingover viewfinder
• Built in ARRIGLOW
• PL lens mount
• Speeds from 1 to 75 fps
• Adjustable shutter from 45 to 180º
• Compact integrated video assist
• Split bridge plate BP-11 allows camera to instantly detach from head and be used in handheld mode.

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Arriflex 16SR-3

The 16SR-3 sync sound camera is equipped with a 6-stage variable shutter, time code, Arriglow, PL mount and is designed for regular and Super 16 formats. The camera speeds range from 5 to 75 fps with built-in crystal speed control. It has preset speeds of 24, 25, 29.97 and 30 fps.

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Arriflex 16SR-2

The 16SR-2 sync sound camera operates with crystal controlled speeds at 24 or 25 fps. It can also operate from 5 to 75 fps with an external speed control. The camera is available in PL or bayonet mount.

• The standard 16SR package includes:

• Camera body
• Extension eyepiece
• Sliding base plate
• Long & short rods
• Right hand grip
• TV ground glass
• 2 - power cables

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High Definition, 2K, 4K & 5K Cameras

Need help deciding which camera is right for your project?
See our HD Camera Comparison page.

Canon EOS 7D-PL Mount

Our new specially modified Canon EOS 7D camera is now PL mounted which will accommodate nearly all PL mounted cine lenses that are the industry standard in 35mm film production.  The advantages to using these fine lenses from manufacturers such as Angenieux, Cooke and Zeiss are that they are robust, have the highest level of optical quality, their focus marks are easy to read, and you can still use all your film style accessories on them such as motors, follow focuses, and matte boxes.  Also, since the Canon 7D’s CMOS sensor size closely resembles that of 35mm motion picture film’s image area, you can expect, for example, that the angle of view and depth of field characteristics of a 24-290mm Angenieux zoom lens will look the same on this camera as on a film camera.

Another feature that makes this camera so attractive to filmmakers is that all its exposure settings can be controlled manually and it can record in more than just one frame rate mode.  In Full HD (1920 x 1080) you can record 30p (29.97), 24p (23.976) and 25p, in HD (1280 x 720) you can record 60p (59.94) and 50p and in SD (640 x 480) 60p (59.94) and 50p.

Other features of the Canon 7D-PL include a 3” 920,000 dot LCD monitor, ISO sensitivity range of 100 – 6400 (expandable to 12800) and small, 2 lb. body offering the ultimate in portability.  In addition, its camera body chassis is built of lightweight and rigid magnesium and is water and dust resistant which make this camera production proof and ready for rugged handling. If you need a versatile, small, and robust HD camera then our new Canon EOS 7D-PL may be what you are looking for.

• Features:
• Body Material:  Magnesium alloy
• Sensor Specifications: 
  22.3 x 14.9mm CMOS sensor (APS-C size)
  RGB Color Filter Array
  Built in fixed low pass filter (with self cleaning unit)
  18 million effective pixels

• Image Processor:  Dual DIGIC 4
• Movie Image Sizes: 
  Full HD - 1920 x 1080: 24p (23.976), 25p, 30p (29.97)
  HD - 1280 x 720: 50p, 60p (59.94)
  SD - 640 x 480: 50p, 60p (59.94)
• Movie Compression:
  MPEG-4/H.264 AVC Variable (average) bit rate
• File Type: MOV
• Sound:  Linear PCM
• Recording Media: 
  Type I or II CF card, UDMA compatible
• Recording Times:
  22 minutes on an 8GB card (330MB/min.) in Full HD
• Lens Mount: PL
• ISO Sensitivity: 
  100 – 6400 (Expandable to 12800)
• White Balance: 
  Auto, Daylight, Shade, Cloudy, Tungsten, White Fluorescent, Custom, Kelvin (2500 – 10000K in 100k steps)
• LCD Monitor: 3” 920,000 dot TFT LCD
• Connectivity: 
  Mini HDMI (type C), Video output (PAL/NTSC), USB 2.0 Hi-Speed, External microphone (3.5mm diameter stereo mini jack)
• Weight:  2 lbs.

Accessories:

Zacuto Z finder: The Z finder is an optical viewfinder, which, when mounted to the Canon 5D, ensures that the camera’s LCD is shielded from any stray, bright light on set. It also offers 3X focus magnification to help the user make sure that his shots are in focus and aids very well in reviewing shot material.

Zacuto DSLR Tactical Shooter Hand Held Rig:This rig is the perfect companion to the Canon 5D when shooting hand held video. Its light weight and three points of contact to the user’s body allow for many hours of comfortable, fatigue free recording.

Canon Timer Remote Controller TC-80N3: This remote control unit from Canon is a must for any shooter who needs to shoot time lapse photography with your Canon EOS 7D or 5D Mark II.  In interval timer mode you can set the time between each exposure anywhere between 1 second and 100 hours.  Additional features include exposure timer, which holds open the shutter between 1 second and 100 hours, exposure count which limits the amount of exposures between 1 and 99, and self timer in which you can program the camera when to fire a shot.  The unit also serves as a simple remote switch for taking stills without touching the camera. Finally, it features a very handy backlit display for nighttime shooting.

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Canon EOS 5D Mark II

Just when you thought the tools for shooting motion picture images couldn’t get any more diverse Canon has introduced the EOS 5D Mark II. This is Canon’s first digital EOS camera to offer recording of Full HD video. It can shoot clips up to 12 minutes long at 30fps in full 1080p resolution (based on using a 4GB card) in addition to performing as a stellar still camera - all using the full line of widely available Canon EF lenses on the market.

One much coveted feature of the camera is its manual exposure control while shooting video. When you are in Manual Mode during video recording, you can control the aperture, sensitivity from ISO 100-6400 (expandable to 12800), and shutter speed from 1/30 - 1/4,000 second. This new feature transforms the EOS 5D Mark II into the first full frame 24mm x 36mm DSLR with manual exposure video control, creating an amazing tool for the video and motion picture industries alike.

Finally, the Canon EOS 5D Mark II incorporates a high-fidelity (920,000 dot) 3" LCD screen and includes a 'Live View' feature that permits the user to frame their shots on the LCD display. Other framing functions that are not possible with a traditional SLR viewfinder include the ability to zoom in and navigate the preview image to ensure proper focus, and a grid overlay to assist in proper composition.

• Features:
• 21.1 Megapixel Full frame CMOS sensor.
• 14 bit A/D conversion (16,384 colors/each of 3 primary colors).
• Full HD Video capture at 1920 x 1080 resolution.
• ISO 100 – 6400 in Full HD Video (expandable to 12800).
• ISO 100 – 6400 in still mode (expandable from 50 to 25600).
• Shutter Speed of 1/30 to 1/4000 of a second in Full HD Video.
• Shutter Speed of 30 sec. to 1/8000 of a second and “bulb” in still mode.
• 30fps when filming in Full HD Video.
• Up to 3.6fps when shooting in still still mode.
• 3” LCD viewing screen (920,000 dot).

Still lenses available through Schumacher Camera:

Canon EF Prime Lenses

24mm f1.4L II USM
35mm f1.4L USM
50mm f1.2L USM
85mm f1.2L II USM
 
24mm Tilt and Shift f3.5L
35mm Tilt and Shift f3.5 (Hartblei Superrotator – not a Canon brand lens)
Lens Baby 3G f2.0 (Approximately 50mm focal length with interchangeable f stops from f2 -22)

Canon EF Zoom Lenses

16-35mm f2.8L II USM
24-105mm f4.0L IS USM
70-200mm f2.8L USM

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Panasonic AG-HVX200

The Panasonic AG-HVX200 is a handheld DVCPRO HD P2 camera-recorder designed to meet emerging needs in HD content production. It debuted as Panasonic's first HD video product to use P2, the cutting-edge solid state memory recording device that has revolutionized the entire production paradigm.

The AG-HVX200 records HD, either 1080i or 720p video acquired by a new optical system and high-performance digital signal processor onto a P2 card using the broadcasting DVCPRO HD codec. This system achieves a level of image quality that conventional handheld HD cameras simply cannot match, while also supporting HD/SD multi-format and multi-codec recording capabilities.

Variable frame rate recording is just one of the features that makes the AG-HVX200 unique in its class. Using technologies that make the Panasonic VariCam camera-recorder a favorite in movie production, this powerful function allows the overcranking and undercranking techniques used with film cameras to create fast-motion and slow-motion effects. The P2 card offers superior reliability, immediate playback and outstanding cost-performance. It allows direct connection to nonlinear editing systems and streamlines the production work flow, by providing to the editing system data files ready to be edited, rather than a video tape which would require the task of digitizing.

On top of all its advanced features and technologies, the AG-HVX200 inherits the refined design and easy operation that distinguishes Panasonic's high-value DVX100 DV camera series. In the AG-HVX200, video professionals of all kinds will find a powerful tool for giving form to their creative visions.

• Features:
• True high definition image quality with low-compression DVCPRO HD intraframe recording
• Multiple formats: DVCPRO HD, DVCPRO 50, DVCPRO, DV selectable
• High definition recording formats: 1080/60i, 1080/24p, 1080/24pA, 1080/30p, 720p (variable frame rates)
• Standard definition recording formats: 480/60i, 480/24p, 480pA, 480/30p
• CineSwitchTM technology for variable frame rates in 720p mode: 12, 18, 20, 22, 24, 26, 30, 32, 36, 48, 60fps
• 1/3" 16:9 native high-sensitivity progressive 3-CCD with 1080/60p scanning
• 16:9/4:3 switchable for standard definition recording, 16:9 native for HD
• Wide angle Leica Dicomar HD lens with optical image stabilizer
• 13X zoom range: focal length = 4.2 to 55mm (35mm equivalent: 32.5 to 423)
• Advanced gamma functions and eight gamma settings including two CineGammaTM modes and NewsGammaTM mode
• Two P2 card slots with hot swap capability
• Mini-DV tape transport for DV recording
• Internal downconversion and frame rate conversion from HD source recorded on P2 cards to Mini-DV tape
• 48kHz 16-bit 4-channel PCM audio (2 XLRs with phantom power)
• Built-in stereo microphone (unidirectional microphone optional)
• Analog component (Y, Pb, Pr) output
• Composite input/output
• Standard IEEE 1394 interface
• USB 2.0
• SD memory card slot for sharing scene files
• SMPTE color bars
• Slow, synchro and high speed shutter

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SONY PMW-EX3

The PMW-EX3 compact camcorder with an interchangeable lens system incorporates three ½-inch type Exmor™ Full HD CMOS sensors, each with an effective pixel count of 1920 x 1080, delivering stunning-quality HD images in 1080P, 720P, and 1080i HD resolutions. A rich variety of features for creative shooting are incorporated into this camcorder such as “Slow & Quick Motion”, which is also commonly known as “over-cranking” and “under-cranking”, selectable gamma curves, slow-shutter, interval recording and Picture Profile™ feature. Additionally, the PMW-EX3 offers a convenient remote-control and multi-camera operation capability, which allows use with high-end camera systems.

• Features:
• ½” Three CMOS Exmor Full HD imagers.
• Full 1920 x 1080 effective pixels per imager.
• 1080 / 720 switchable at multiple frame rates:
  o 1080: 60i, 50i, 30P, 25P, and 24P
  o 720: 30P, 25P, and 24P
• Solid State Memory Recording with SxS PRO memory cards.
• 8GB card records approximately 35 minutes of 1920 x 1080 full HD
  content (35Mbps).
• 16GB card records approximately 70 minutes of 1920 x 1080 full HD
  content (35Mbps).
•  32GB card records approximately 140 minutes of 1920 x 1080 full HD
  content (35Mbps).
• MPEG-2 Long GOP Compression.
• Compression is common to the current line of XDCAM products.
• Provides exceptional balance between quality and bit rate.
• MPEG-2 Long GOP compression is supported by a wide range of NLEs
  on the market today.
• Interchangeable Lens System.
• Specially designed Fujinon high definition 14x removable lens
  included.
• Utilizing the included lens mount adapter, the use of a variety of 1/2-
  inch type HD lenses available from major manufacturers is now
  possible with an XDCAM EX camcorder.
• 2/3-inch-type lenses can also be used with the PMW-EX3 camcorder
  via this special mount system by using a 2/3-inch type lens adaptor
  that is equipped with a 12-pin lens connector, like the ACM-21
  adapter available from Fujinon.
• The PMW-EX3 can even be used with cinema-style lenses, making it
  fully adaptable to suit every specific shooting requirement.
• TC IN / OUT connectors.
• GENLOCK IN connector.
• REMOTE connector.

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SONY PMW-EX1 XDCAM EX

The Sony PMW-EX1 XDCAM EX utilizes three newly designed 1/2-inch type "Exmor"™ CMOS sensors, each with an effective pixel count of 1920 x 1080. Coupled with newly developed signal processing, this camera produces truly exceptional images in 1080p, 720p and 1080i HD. Using another new Sony innovation, the SxS Memory Card flash memory device, very high data transfer speeds are also made possible in order to enhance the High Definition content creation workflow. Utilizing the MPEG-2 Long GOP CODEC to achieve a balance of quality and the required bit rate, you can now record approximately 140 minutes using two 16GB SxS Memory Cards in SP mode and 100 minutes in HQ mode. Additionally, the PMW-EX1 offers a powerful Slow & Quick Motion feature, or what is more commonly known as "over-cranking" and "under-cranking", to enable users to create slow and fast motion special effects.

• Features:
• High quality full HD image acquisition.
• New 1/2" Exmor CMOS Sensors with 1920 x 1080 effective pixels each - no pixel interpolation necessary.
• Solid state memory recording using Sony's new SxS Pro ExpressCard flash memory media.
• Integrated Fujinon 14x Zoom Lens – 5.8mm to 81.2mm (equivalent to 31.4mm to 439mm on 35mm film lens).
• Color peaking display, with selectable color indicator.
• Lens Grip Rotation Mechanism
• Several Focus Assist Functions
• Built-in Stereo Microphone
• User definable Picture Profile function.
• Under and Over Cranking feature (1-30 fps in 1080 and 1-60fps in 720).
• Shot Transition Function.
• 3.5" High resolution LCD panel, with 1920 x 480 pixels, offering a horizontal resolution of more than 700 TV lines.
• Depth of Field LCD/ EVF Display.
• Brightness Level indicator in on LCD and EVF.
• Histogram Display on LCD/EVF
• SDI connector, selectable for either HD or SD output.
• Shutter Angle Setting (180, 90, 45 22.5 and 11.25 degrees).
• Slow Shutter and Extended Slow Shutter function.
• Four User Assignable Buttons.
• Supports 2 operational modes - HQ and SP.
• HQ captures full 1920 x 1080 images, or 1280 x 720 images, at 35Mbps.
• SP mode captures 1440 x 1080 images @ 25Mbps
• Continuous, uninterrupted recording on multiple cards.
• Interval Recording Function.
• Frame Recording Function.

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Panasonic AG-HPX500

The AG-HPX500 P2 HD shoulder-mount camcorder delivers a unique combination of high-end features never offered in a camcorder in this price bracket, including production-quality 2/3" progressive 3-CCDs, DVCPRO HD quality, multi HD and SD formats, variable frame rates, and four independent audio channels. In addition, the HPX500 offers the outstanding benefits of P2 solid state recording including ultra-fast IT workflow and no-moving-parts reliability, which makes the camera ideal for use in harsh environments.

To give your productions tremendous flexibility, the HPX500 records in over 32 HD and SD formats. The camcorder records on re-usable, removable P2 cards. With Panasonic's new 16GB P2 card and HPX500's four P2 slots, the camera records for 68 minutes of DVCPRO HD; 136 minutes of DVCPRO 50; and 272 minutes of DVCPRO.

• Camera features:

• Records in 1080/60i, 50i, 30p, 25p, and 24p; in 720/60p, 50p, 30p, 25p, and 24p; and in DVCPRO 50, DVCPRO AND DV.
• Equipped with eight gamma modes.
• 11 preset variable frame rate steps from 12p to 60p to allow fast or slow motion effects.
• Immediate viewing of all shots on 3.5” LCD.
• B4 lens mount accepts HD and SD lenses as well as the P+S Technik PRO 35 cine lens adapter to accommodate most 35mm prime and zoom lenses.

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Panasonic AJ-HPX2000

The AJ-HPX2000 P2 HD shoulder-mount camcorder integrates native HD progressive 2/3" 3-CCD performance with the ultra-high reliability and speed of P2 solid-state recording. As one of the most flexible, full production-quality cameras available, the AJ-HPX2000 records pristine high-quality images in over 30 HD and SD formats ranging from 1080p, 1080i, 720p, 480p, 480i and 576i.

The AJ-HPX2000 holds up to five P2 cards offering users extended recording time. With five 32GB P2 cards, professionals can record 6 ½ hours in DVCPRO HD 720p native.

• Camera features:

• Compatible with DVCPRO HD/50/25 and optional AVC-Intra 50/100.
• Multi-format recording system that supports a total of 30 HD and SD U.S. and international formats, including 1080/59.94i, 1080/50i, 1080/29.97p, 1080/25p, 1080/23.98p, 720/59.94p, 720/50p, 720/29.97p, 720/25p 720/23.98p and more.
• Offers DVCPRO HD Native recording frame rates, including 720 23.98p / 25p / 29.97p.
• 2/3" 3-CCDs with 14-bit A/D processing.
• Time lapse.
• High-speed file transfers are easy with industry-standard IT interfaces, including USB 2.0 and IEEE 1394.
• Ultra-reliable, solid-state recording for superior reliability in harsh environments including temperature.
• B4 lens mount accepts HD and SD lenses as well as the P+S Technik PRO 35 cine lens adapter to accommodate most 35mm prime and zoom lenses.
  

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Panasonic AJ-HPX3000

The AJ-HPX3000 is the industry's first native 1080p one-piece camcorder to capture master-quality high definition video. It features three 2/3" high density 2.2 million pixel CCDs and records in industry-standard DVCPRO HD at 1080 in 24p, 25p, 30p, 50i and 60i and can produce standard definition recordings in 50Mbps DVCPRO50.

Designed for movie, commercial and TV program production, the HPX3000 combines the ultra reliability of P2 HD solid-state recording with high-end features, including six advanced gamma settings, Film-Rec mode (made popular by the VariCam), film-like shutter controls as well as intuitive film camera-like operation.

• Camera features:

• 24p, 25p, 30p, 50i, 60i formats
• High sensitivity of F10 at 1,000 lux in 1080i and a minimum illumination of .064 lx (at +56db gain-up)
• Advanced 14-bit Digital Signal Processing (DSP) circuit with A/D conversion and 12-axis independent color compensation and detail.
• Chromatic Aberration Compensation (CAC) function compensates for and reduces lens error that may appear with very high-resolution recording.
• Ultra versatility of P2 HD recording, including instant recording startup.
• Fast, flexible on-set workflow for immediate access to video content.
• B4 lens mount accepts HD lenses as well as the P+S Technik PRO 35 cine lens adapter to accommodate most 35mm prime and zoom lenses.
  

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Panasonic VariCam AJ-HPX2700

The VariCam 2700 offers intuitive operation with single-step variable frame rates ranging from 1 fps to 60 fps (in 720p mode), advanced gamma settings, and essential interfaces including three HD-SDI outputs. Utilizing three 1-megapixel 2/3-inch native HD resolution CCDs, the VariCam 2700 records independent-frame 1080 and 720 images in AVC-Intra 100 and AVC-Intra 50 as well as in industry-standard DVCPRO HD. The solid-state HPX2700 offers you an ever-ready workhorse camera for a variety of professional HD shooting applications at a surprisingly affordable price.

The VariCam 2700 provides the reliability and fast workflow needed in today's demanding production environments. P2 HD provides immediate access to recorded video for on-set viewing and the benefits of metadata to more easily manage your content.

With five 64 GB P2 cards installed, the VariCam 2700 can record up to 400 minutes in AVC-Intra 100 at 1080/24p, 800 minutes in AVC-Intra 100 at 720/24p and 320 minutes in other AVC-Intra 100 or DVCPRO HD formats.

• Camera features:

• 720p / 1080p switchable
• AVC-Intra 100, AVC-Intra 50 and DVCPRO HD codecs
• AVC-Intra 100 provides master-quality, 4:2:2, 10-bit recording
• Offers choice of progressive/interlace HD video formats including 720 23.98p/24.00p/25p/29.97p / 50p / 59.94p, as well as 1080 23.98p/24.00p/25p/29.97p / 50i / 59.94i
• Variable frames (1 to 60fps) and 1080 23.98/24psf HD-SDI output (when in 1080 mode)
• AVC-Intra compatibility with leading NLEs, including Apple Final Cut Pro 6, Autodesk, Avid Media Composer Family Version 3.0, Avid NewsCutter Family version 7.0 and Quantel
• Scan reverse allows for anamorphic lens adapter use (to create a 2.35:1 aspect image for wide-screen cinematic shooting) or for use with an HD lens adaptor for 35mm lenses
• Dynamic Range Stretch to automatically suppress blocked shadows and blown highlights
• Chromatic Aberration Correction compensates for the inherent color deficiencies found in some lenses
• Advanced gamma settings including Film-Rec
• 14-Bit Digital Processing with 12-Axis Color Correction
• High F10 sensitivity at 2,000 lx, Minimum illumination of 0.021 lx (at 1 fps VFR and +30-dB gain-up)
• Electronic shutter that offers seven shutter speeds up to a maximum 1/2000 second (plus a Half mode) and unique angle settings (similar to a film camera)
• Newly-designed grip handle with five threaded holes for mounting accessories and a 3-point locking viewfinder mount for precise adjustment (color viewfinder compatible)
• 48-kHz/16-bit, four-channel digital audio recording
• Multiple system Interfaces, including three HD-SDI Outputs, USB 2.0 and down-converted SD video output and IEEE 1394 output (DVCPRO HD codec recording only)

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Panasonic AJ-HDC27FP VariCam

Replicating many of the features of film-based acquisition, the 2/3” HD progressive scan camcorder will appeal to seasoned cine shooters. The AJ-HDC27 operates as a 24 fps camera, a standard 60 fps video camera, and has a variable frame rate range of 4 to 60 fps in single frame increments. Featuring Panasonic’s CineGamma™ software, the AJ-HDC27 is able to emulate films gradual transfer function performance, increasing its usable dynamic range—especially in the highlights.

• Camera features:

• Variable frame rates from 4 to 60 fps.
• Selectable gamma curves to create desired film tones.
• Can store data files onto SD memory cards for various “looks.”
• Picture enhancing circuits: Auto knee, detailing, shading compensation, 12 pole color matrix and masking.
• Gain values ranging from -6 to +36dB.
• 6 shutter speeds (1/100, 1/120, 1/250, 1/500, 1,1000, 1/2000)
• Handheld Extension Control Unit (ECU) AJ-EC3P of camera settings serves as the camera’s external “paint box.”
• With P+S Technik’s PRO 35 Adapter, the camera can accommodate 35mm prime and zoom cine lenses.
  
  Note: Most 35mm format cinema lenses interface with this camera system. Please consult a Schumacher representative for any limitations that may apply.
  

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Sony CineAlta HDW-F900R

The HDW-F900R camcorder records images in accordance with the CIF (Common Image Format) standard, which specifies a sampling structure of 1920 x 1080 active pixels (horizontal x vertical). Plus, as well as recording at 24P, the HDW-F900R camcorder is switchable to record at 25P, 29.97P progressive scan, and also at 50 or 59.94 Hz interlaced scan. The camcorder also provides a comprehensive range of features for creative shooting such as enhanced gamma features and colorimetry controls. Plus, the design of the HDW-F900R is highly compact and lightweight, giving users higher levels of mobility and comfort when shooting.  In combination with its renowned 24P capability, these great functionalities make the HDW-F900R the perfect solution for shooting television series, documentaries, commercials, as well as motion pictures.

• Camera features:

• Camera image capture complies with the ITU-R, BT 709-3 Recommendation for High Definition Production and International Programe Exchange.
• Equipped with 2/3" type 2,200,000 sensor FIT imager, providing high resolution 16:9 images.
• Compact, lightweight and robust body design with cinematography accessories attached.
• Continuous recording time of up to 50 minutes (24P mode).
• Newly developed LSI for ADSP (advanced digital signal processor) improves picture quality, ensuring picture stability and operational reliability while reducing total power consumption.
• B4 lens mount accepts HD lenses as well as the P+S Technik PRO 35 cine lens adapter to accommodate most 35mm prime and zoom lenses.
  

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RED ONE MYSTERIUM X

Schumacher Camera is now carrying the new and improved RED ONE MYSTERIUM X camera!  This camera now features the new 4.5K Mysterium X Super 35mm cine sized CMOS sensor, an expanded dynamic range of approximately 13 stops, expanded sensitivity range from ISO 100 to 6400, a much improved color science for producing richer images, and quieter blacks when shooting at higher ISO’s.  In addition, depending upon the format you choose, the camera captures outstanding progressive images from 1 up to 30fps in 4.5K, 1 up to 30fps in 4K, 1 up to 60fps in 3K, or 1 up to 120fps in 2K resolution. As a standard feature on the RED ONE, its PL lens mount allows you to use a vast array of cine lenses (while maintaining their depth of field qualities) for the ultimate in creative control.  As for  recording mediums, RED’s Compact Flash 16GB cards will record about 8 minutes each of footage in 4K resolution and the RED DRIVE (320GB RAID) will record about 2 hours of 4K footage.  Finally, its modular design and light weight allow it to be set up in multiple configurations whether it be as a remote, hand held or fully loaded studio camera.

• Basic package features are:

• RED ONE MYSTERIUM X camera body with PL mount
• RED EVF high resolution viewfinder
• 5.6” RED LCD or 7” RED PRO LCD on board monitor
• CF (Compact Flash) Read/Write Module
• (4) 16GB CF cards
• 2 - 320GB RED DRIVES
• RED CRADLE (holds RED DRIVE and battery)
• Element Technica Video Break Out Box
• (4) RED BRICK on board batteries (140wh each) with charger
• (4) Mini XLR to XLR adapters for sound input.
• AC power supply

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RED EPIC-M

Red has done it again with the introduction of its latest camera, the EPIC-M! This much anticipated addition to the RED family is the answer to the professional's wildest dreams and exists as the most sophisticated and capable camera ever engineered and built. In a package one third the size of a RED ONE, resides a 5K Mysterium-X™ sensor and a 27 layer ASIC, the most advanced processor of its type in the world, enabling EPIC to capture up to 120 frames per second, each frame at full 14MP resolution. EPIC is engineered to be a DSMC™ (Digital Still & Motion Camera), a camera that excels in both worlds ... by design. Providing native dynamic range of over 13 stops and resolution that exceeds 35 mm motion picture film, this is the camera of the epoch. Add to that RED's newly developed HDRx™ extended dynamic range technology and EPIC boasts an amazing dynamic range of up to 18 stops. Purpose-built for perfect multi-camera synchronization, EPIC comes to market at a time when 3D capture requires the sophistication of a new generation of innovative technology. EPIC, very simply, is epic.

• Camera features:

• SENSOR: 14 MEGAPIXEL MYSTERIUM-X™
• PIXEL ARRAY: 5120 (h) x 2700 (v)
• S/N RATIO: 66db
• CURRENT ACQUISITION FORMATS & FRAMERATES:
  1-96 fps in 5K Full Frame, 2:1 & Anamorphic
  1-120 fps in 5K 2.4:1
  1-120 fps in 4K HD
  1-300 fps in 2K 2.4:1
• DELIVERY FORMATS*:
  4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
  2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
  1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
  Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
• DIGITAL MEDIA REDFLASH:
  REDFLASH (SSD) Module : (64, 128, 256GB Media)
• REDCODE™:
  12 and 16-bit RAW : RC25 - 250 Quality Levels
  
• AUDIO: 2 channel, uncompressed, 24 bit, 48KHz.
  Optional 4 channel, and AES / EBU digital audio.
• MONITORING OPTIONS: RED LCD 5" Touchscreen Display
  BOMB EVF™ High Definition Viewfinder
• WEIGHT: 5lbs. Body only

* FROM REDCINE-X

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RED SCARLET-X

In addition to the RED EPIC-M, we now also offer its little brother, the SCARLET-X. If you are on a smaller budget but really need to shoot high quality images in REDCODE RAW then this may be the camera for you. This little gem, weighing in at a mere 5 lbs. (body only) sports a 14 Megapixel Mysterium-X sensor, 16 bit RAW processing, in camera playback, HD-SDI or HDMI monitoring, and current frame rate ranges between 1 to 60fps. In addition, we offer the titanium PL mount to accommodate all our PL mounted cines lenses as well as the AI Canon EF mount so that now the vast array of Canon EF mounted lenses can be also be used for filming.

• Camera features:

• SENSOR: 14 MEGAPIXEL MYSTERIUM-X™
• PIXEL ARRAY: 5120 (h) x 2700 (v)
• DYNAMIC RANGE: 13.5 stops, up to 18 stops with HDRx (6 fps in 5K FF and 12 fps in 4K HD when HDRx is on)
• CURRENT ACQUISITION FORMATS AND FRAMERATES:
  5K Full Frame 1 – 12 fps
  4K 1 – 30 fps
  4K HD 1 – 30 fps
  3K 1 – 48 fps
  2K 1 – 60 fps
• PROJECT FRAME RATES: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps
• DIGITAL MEDIA: REDMAG SSD modules in either 64, 128 or 256GB
• 16 bit REDCODE RAW Processing: Compression choices from 3:1 to 18:1
• AUDIO: 2 channel, uncompressed, 24 bit, 48KHz.
• RED MONITORING OPTIONS: RED LCD 5" Touchscreen Display
  BOMB EVF™ High Definition Viewfinder
• MONITOR/PROGRAM OUTPUTS: HD-SDI and HDMI (1080P or 720P 10 bit 4:2:2)
• WEIGHT: 5lbs. Body only

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ARRIFLEX D-21

The ARRIFLEX D-21 is a film style digital camera that combines familiar high end film style functionality, handling and creative options with the immediacy and economy of digital acquisition.  As ARRI’s current top of the line digital camera, it features the industry standard PL lens mount which accepts the same prime and zoom lenses used on all 35mm film cameras, an optical viewfinder, the Mscope anamorphic output, Super 35mm sized CMOS sensor, and simultaneous output of HD and raw data.

Through ARRI Imaging Technology (AIT), the D-21 produces brilliant images with a cinematic look and feel, high dynamic range, high contrast and the most film-like motion and color reproduction of any digital motion picture camera.

• Camera Features:
• Super 35mm sized CMOS sensor
• Optical reflex viewfinder, finder extenders, ARRIGLOW, interchangeable ground glasses.
• Frame rates:
  • HD Mode:
    HD 4:2:2 (16:9)  1 to 60fps
    HD 4:4:4 (16:9)  1 to 30fps
  • Mscope™:  
    HD 4:2:2 (4:3)    1 to 25fps
  • Data Mode:
    ARRIRAW (16:9)  1 to 30fps
    ARRIRAW (4:3)  1 to 25fps
• Exposure compensated speed ramps supported by the electronic mirror shutter (Shutter is adjustable from 11.2 to 180 degrees).
• Fully compatible with film style accessories such as matte boxes, follow focus and support.
• Outputs an uncompressed RAW data signal in Data Mode.

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Sony F35

The new Sony F35 expands the production toolset available for high-end commercials, digital cinema and prime time program production. The Sony F35 digital cinematography camera offers a newly developed Super 35mm sized CCD sensor and PL lens mount for cinematographers who have passion for 35mm film lenses such as Cooke, Angenieux and Zeiss which allow for breathtaking picture quality and an extensive range of depth of field control.  In addition, the camera has 12 to 13 stops of latitude and offers a wide color gamut.  Finally, all the film style accessories you have come to love such as matte boxes, follow focus, and support are all compatible with this camera as well.

• Key Features:
• PL lens mount allows for film lens use.
• Super 35mm Single CCD Imager.
• Full Resolution 1920 x 1080 RGB.
• Recording Formats:
  • Interlace mode:  1080 / 50i, 59.94i
  • Progressive mode:  1080 / 23.98P, 24P, 25P, 29.97P, 50P
• Variable Frame Rates of 1-50 fps (4:4:4 or 4:2:2 recording).
• Integrated camera recording system possible with the Sony SRW-1 Recorder.
• Versatile gamma settings including unique S-LOG gamma curve.
• Size with SRW-1 recorder rear mounted:  7⅞” wide x 15⅜” long  x 12⅛” high.
• Weight:  11 lbs. (body only)

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Phantom HD GOLD (by Vision Research)

The Phantom HD GOLD is a unique PL mounted high speed camera that can deliver up to the maximum frame rates of 1000 fps (in 1920 x 1080), 1539 fps (in 1280 x 720) or 540 fps (in 2048 x 2048) without the need for rendering, which means that you can see the results of each shot immediately.  It boasts an excellent dynamic range and has a rating of ISO 600.  In addition, its imager adds in creating the much desired 35mm depth-of-field look which can be used to isolate subjects from the foreground and background.

The camera records to an internal RAM memory of 16GB that can then be downloaded to a laptop computer. Phantom CineMags provide hot-swappable, solid-state recording in 256 and 512 GB models. The Phantom HD GOLD also allows you to "play" the contents of the memory module over single (4:2:2) HD-SDI outputs on the docking station to a recorder, disk array, or other HD-SDI capture device.

As far as accessories go, the camera accommodates HD viewfinders and it allows use with ARRI 35mm accessories such as follow focus and matte box.   These, in combination with the cine prime lenses by Cooke and zoom lenses by Angenieux create a very familiar production tool to work with.

• Camera features:
• HD (1920x1080 or 1280x720) and 2K (2048x1536) resolution, with 2048x2048 maximum resolution
• Up to 1000 fps at 1080p, 1539 fps at 720p
• Frame rates are adjustable in 1 fps increments
• Shutter speeds as fast as two microseconds (1/500,000 second)
• Rated at ISO 600
• 11-stop dynamic range
• 14-bit sensor depth (42-bit color)
• PL lens mount
• 35mm depth-of-field characteristics
• Component video output to HD viewfinder
• Video out: 4:2:2 HD-SDI (720p, 1080psf, 1080i – all standard formats)
• CineMag flash memory magazines available in 256 and 512GB
• Weight: 12.1lb
• Compatible with ARRI 35mm accessories
• Circular buffer recording or Run-Stop

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Phantom Flex (by Vision Research)

The Phantom Flex offers an unprecedented degree of flexibility in all areas of high-speed image capture, and goes beyond HD to support 4-megapixel imaging, when the highest resolution is required. Depending on the shooting mode and resolution, the Flex is capable of shooting from 5 fps to over 10,750 fps.

The Phantom Flex offers two user-selectable shooting modes, each adapted to a particular shooting environment. In Standard Mode, the Phantom Flex is just like any other Phantom digital high-speed camera. Shoot at resolutions up to 2560x1600 pixels at anywhere from 10 frames-per-second up to 1,455 frames-per-second (fps). Maximum speed increases as the resolution decreases – up to 2,570 fps at 1920x1080, 5,350 fps at 1280x720, and 10,750 fps at 640x480.

In Phantom HQ Mode, Vision Research's proprietary image enhancement technology results in electronic image stability unprecedented in digital high-speed cameras: stable blacks, low noise, higher dynamic range, and repeatable shots over the full range of supported resolutions, frame rates and temperatures without the need for pre-shot black references. Maximum frame rates in HQ mode are about half those in Standard mode, which means that in HQ Mode Flex captures images at speeds up to 1,275 fps at 1920x1080 or 2,640 fps at 1280x720.

The Phantom Flex supports multiple workflows: a raw digital workflow, a video workflow, or combination of both for maximum control and flexibility.

With a video workflow, the Flex offers a video signal on the dual-link HD-SDI ports independent of the camera resolution. Set the resolution to 2560x1440 (16:9), and the camera will automatically scale the oversampled image when rendering the video signal. This technique increases the dynamic range and decreases noise in the video signal.

• Camera features:
• Up to 1455 fps at 2650x1600 in Standard Mode (725 fps in HQ) up to 2,570 fps at 1920x1080 in Standard Mode (1275 fps in HQ), up to 5350 fps at 1280x720 in Standard Mode (2640 fps in HQ)
• 12-bit pixel depth
• 1200 ISO (measured using ISO 12232 SAT method)
• HQ Mode provides ultimate in image stability under changing shooting conditions
• 2 x 4:2:2 HD-SDI video ports, can be configured as dual-link 4:4:4 video (4:4:4 not available at 60fps video formats)
• Global, electronic shutter to 1 μs (shutter angles in HQ mode dependent upon frame rate and resolution)
• Multi-cine capable via segmented memory
• Internal mechanical shutter for hands-free and remote Current Session References
• On-camera controls for camera modes, settings, playback, edit & save
• Frame synchronization to external signal, allows multiple cameras to be synchronized – essential for stereo 3D recording
• Three 12VDC, 1.5A auxiliary power outputs for powering external devices (one is on the Viewfinder port), 4A maximum load
• External trigger signal on camera connector panel and both 12VDC power ports
• Genlock for synchronizing video playback – essential for 3D video workflows

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ARRI ALEXA

ALEXA is a compact, lightweight and affordable digital camera that will redefine the limits of motion picture capture with ultra-fast workflows and image quality akin to 35mm film. From major motion pictures and high end dramas to commercials, music videos and episodic TV, ALEXA suits a wide variety of applications and budgets.

More than just a camera, ALEXA represents an entire image pipeline. By combining proprietary ARRI technology with ubiquitous tools from industry leading partners, ALEXA stands alone as the most complete and powerful digital production system ever built. ALEXA takes the revolutionary step of recording Apple Quick Time files containing Apple ProRes 4444 or Apple ProRes 422(HQ) encoded images onto industry standard on-board SxS memory cards. Using a 32GB card, the camera can record 15 minutes in Apple ProRes 4444 or 20 minutes in Apple ProRes 422 (HQ). These files can then be edited immediately, greatly speeding up the production process. In addition, HD-SDI or ARRIRAW can be sent out to an external recorder through the two REC OUT BNC outputs.

Camera Features:

• 800 EI base sensitivity at 180° shutter (EI adjustable from 160 to 1600)
• 13.5 stops of latitude allow capture of details in bright highlights and dark shadows
• 35mm format ALEV III CMOS sensor (16:9 aspect ratio using 2880 x 1620 pixels)
• Variable electronic shutter from 5.0 to 358.0 degrees
• Standard of the industry PL lens mount
• Rec 709 video or Log C (no matrix) outputs
• .75 to 60 fps in ProRes 422 using SxS PRO cards
• .75 to 40 fps in ProRes 4444 using SxS PRO cards
• .75 to 30 fps in ARRIRAW via HD-SDI outputs
• 23.976 to 30 fps in 4:4:4 RGB from HD-SDI outputs via 1.5G BNC dual link connections to Sony SRW/SRPC-1 HDCAM SR tape recorder
• .75 to 60 fps from HD SDI 4:2:2 outputs via 1.5G BNC dual link connections to Sony SRW/SRPC-1 HDCAM SR tape recorder
• Direct to edit footage allows for immediate access into post (via SxS Pro cards recording in either Apple ProRes 422(HQ) or Apple ProRes 4444 codecs)
• Natural color rendition gives rich, vibrant pictures and pleasing skin tones
• Excellent color separation creates effortless compositing
• Very low image noise
• Accepts common standard of the industry film accessories such as follow focus’, matte boxes
• Simple and intuitive buttons, controls and menus
• Well balanced for Steadicam use as well as handheld operation
• ARRI famous robust construction to withstand all rigorous shooting conditions

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Sony PMW-F3

 The Sony PMW-F3 Super 35mm Full-HD Compact Camcorder  boasts a PL mount which will accept the 35mm format cine lenses that you are accustomed to shooting with and it features a 35mm sized CMOS sensor that offers increased control over depth of field, maintained angle of view of cine lenses, higher sensitivity in low light, lower image noise, and an exceptional dynamic range.

Using a solid-state workflow based on the XDCAM EX platform, the PMW-F3 records onto the standard of the industry SxS cards, using the MPEG-2 long GOP codec in an 8-bit 4:2:0 color space. In addition, for more demanding applications, you can utilize the camera's dual-link HD-SDI ports to output to an external recorder in 10-bit 4:2:2 (1080 50p/59.94p).  (Coming soon after April 2011 there will also be an RGB and S-Log output option available which will allow an RGB 4:4:4 baseband signal to be output via the dual-link HD-SDI ports as well). Meanwhile, the combination of four HyperGamma settings with S-Log and LUT capability provide RAW-like flexibility to the image data, allowing for increased picture control and dynamic range.

Camera Features:

• Super 35mm Exmor CMOS Image Sensor (23.6 x 13.3mm)
• PL Lens mount accepts 35mm format cine lenses
• Rated at ISO 800
• Dynamic range of 12 stops
• Each 32 GB card will record up to 100 minutes in HQ mode (35Mb/s)
• HQ mode supports both 1920x1080 and 1280x720 resolutions
• 1 to 60fps in 720p mode
• 1 to 30fps in 1080p mode
• 24W power consumption, 12 VDC
• 5.3 lbs (body only)