35mm Camera Packages

Arricam Lite

The ARRICAM LT is ARRI’s latest sync sound lightweight camera that is beautifully designed for filming handheld and steadicam shots. In addition, it serves just as well as an extremely quiet studio camera.

Other features of our ARRICAM LT include:

• The preferred Universal Studio Viewfinder which transmits significantly more light to the operator’s eye.
• Medium and long viewfinder extensions.
• ARRIGLOW module.
• The ARRICAM Speed Control Box which executes speed ramps with or without exposure compensation through the camera’s electronic shutter or lens iris (In addition, this unit will allow the camera to sync up with video monitors and film projectors).
• Electronic shutter adjustable from 0º to 180º.
• Forward running speeds of 1 to 40 fps.
• Reverse running speeds of 1 to 32 fps (With studio magazines only).
• Dual pin registration
• The camera accepts the 400’ Shoulder, Steadicam and Studio magazines as well as the 1000’ Studio magazines.
• 100% video top and low mode bracket for Steadicam use.
• Camera can be set up for regular and Super 35.

• The standard Arricam Lite package includes:
• camera body
• swing over view finder
• sliding base plate
• long and short rods
• ground glass
• 2 power cables
  

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Arricam Studio

The Arricam Studio is ARRI’s latest ultra quiet and quite rugged studio camera.  It performs all the basic camera functions one would expect and also sports an electronically adjustable mirror shutter, beautiful integrated video assist system and its magazines can be top or rear mounted according to your production needs.

Other features of the Arricam Studio include:

• The preferred Universal Studio Viewfinder which transmits significantly more light to the operator’s eye.
• Medium and long viewfinder extensions.
• ARRIGLOW module.
• The ARRICAM Speed Control Box which executes speed ramps with or without exposure compensation through the camera’s electronic shutter or lens iris (In addition, this unit will allow the camera to sync up with video monitors and film projectors).
• Dual pin registration.
• 3 and 4 perf capable.
• Electronic shutter adjustable from 0º to 180º.
• Forward running speeds of 1 to 60 fps.
• Reverse running speeds of 1 to 32 fps (With studio magazines only and speed control box).
• The camera accepts the 400 and 1000’ magazines.
• 100% Studio video top and low mode bracket for Steadicam use.
• Camera can be set up for regular and Super 35.

• The standard Arricam Studio package includes:
• camera body
• swing over view finder
• sliding base plate
• long and short rods
• ground glass
• 2 power cables

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Arriflex 535A

The 535A sync sound camera operates at preset speeds of 24, 25, 29.97, and 30 fps and is also capable of speeds from 3 to 50 fps, forward and reverse. The camera is equipped with a programmable electronic variable shutter adjustable from 11 to 180 degrees, a swingover viewfinder, and Arriglow. The 535A camera has time code capabilities and permits frame rate and shutter angle changes while running. The camera can be set up for regular or Super 35.

• The standard 535A package includes:
• Camera body
• Wide angle eyepiece
• Extension eyepiece
• Eyepiece leveling rod
• Variable speed unit
• Variable shutter unit
• Sliding base plate
• Long & short rods
• Gelatin filter holders
• TV Ground glass
• 2 - power cables

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Arriflex 535B

The 535B sync sound camera operates at preset speeds of 24, 25, 29.97 and 30 fps, as well as 3-60 fps, forward and reverse, with a built-in speed control. The camera is equipped with a variable shutter adjustable from 11 to 180 degrees, a swingover viewfinder, Arriglow and time code. The 535B camera can be configured for hand held and Steadicam use. The camera can be set up for regular or Super 35.

• The standard 535B package includes:
• Camera body
• Wide angle eyepiece
• Extension eyepiece
• Eyepiece leveling rod
• Sliding base plate
• Long & short rods
• Gelatin filter holders
• TV Ground glass
• 2 - power cables

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Arriflex 35BL-4s

The 35BL-4s sync sound camera operates at 24 and 30 fps preset speeds and is capable of 6 to 40 fps with an external speed control. The camera is equipped with a 3 stage variable shutter 144, 172.8 and 180 degrees and Arriglow illuminated ground glass. The camera can be set up for regular or Super 35.

• The standard 35BL-4s package includes:
• Camera body
• Wide angle eyepiece
• Extension eyepiece
• Eyepiece leveling rod
• Right hand grip with on/off switch
• Sliding base plate
• Long & short rods
• TV Ground glass
• 2 - power cables

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Aaton 35-III

The 35-III sync sound camera is one of the smallest and lightest hand held 35mm cameras available, weighing only 18 lbs with a 400’ load, prime lens and battery. The camera is capable of 3 to 40 fps with a built-in speed control. It has a 4 stage shutter 180, 172.8, 150 and 144 degrees, Aatonite illuminated ground glass and swing over viewfinder. The ergonomically designed magazines are set up for quick change out. The parallel attachment ports at the top and bottom of the camera allow it to be mounted on a Steadicam in a matter of minutes. The camera can be set up for regular or Super 35 and incorporates the easy to use Aaton time code.

• The standard Aaton 35-III Package includes:
• Camera body
• Wide angle eyepiece
• Extension eyepiece
• Eyepiece leveling rod
• Right hand grip
• Left hand grip
• Sliding base plate
• Long & short rods
• Aaton mini rods
• TV Ground glass
• 2 - power cables

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Arriflex 435ES

The 435ES m.o.s. camera operates at preset speeds of 23.976, 24, 25, 29.97 and 30 fps. It has a built-in speed control which allows it to operate from 1 to 150 fps in forward and reverse. The camera is equipped with a programmable electronic variable shutter from 11 to 180 degrees and allows speed and shutter changes within a shot. The 435ES camera also includes a swingover viewfinder, Arriglow and time code. The camera can be set up for regular or Super 35.

• The standard 435ES package includes:

• Camera body
• Wide angle eyepiece
• Extension eyepiece
• Eyepiece leveling rod
• Right hand grip
• Sliding base plate
• Long & short rods
• Gelatin filter holders
• TV Ground glass
• 2 - power cables

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Arriflex 35-III VS

The 35-III VS m.o.s. camera has a variable shutter adjustable from 15 to 135 degrees in 15 degree increments and 144, 172.8 and 180 degrees. The camera operates 5 to 50 fps variable. It can operate from 5 to 130 fps crystal forward or reverse. (Two 12V batteries required 50-130 fps.)

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Arriflex 35-III

The 35-III m.o.s. camera has a 4 stage variable shutter - 135, 144, 172.8 and 180 degrees. The camera operates from 5 to 120 fps forward. (Two 12V batteries required 50-120 fps.)

• The standard 35-III package includes:
• Camera body
• Wide angle eyepiece
• Extension eyepiece
• Eyepiece leveling rod
• CE Crystal high speed base
• Sliding base plate
• Riser plate
• Long & short rods
• Right hand grip
• TV Ground glass
• 2 - power cables

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High Definition Camera Equipment

Panasonic AG-HVX200

The Panasonic AG-HVX200 is a handheld DVCPRO HD P2 camera-recorder designed to meet emerging needs in HD content production. It debuted as Panasonic's first HD video product to use P2, the cutting-edge solid state memory recording device that has revolutionized the entire production paradigm.

The AG-HVX200 records HD, either 1080i or 720p video acquired by a new optical system and high-performance digital signal processor onto a P2 card using the broadcasting DVCPRO HD codec. This system achieves a level of image quality that conventional handheld HD cameras simply cannot match, while also supporting HD/SD multi-format and multi-codec recording capabilities.

Variable frame rate recording is just one of the features that makes the AG-HVX200 unique in its class. Using technologies that make the Panasonic VariCam camera-recorder a favorite in movie production, this powerful function allows the overcranking and undercranking techniques used with film cameras to create fast-motion and slow-motion effects. The P2 card offers superior reliability, immediate playback and outstanding cost-performance. It allows direct connection to nonlinear editing systems and streamlines the production work flow, by providing to the editing system data files ready to be edited, rather than a video tape which would require the task of digitizing.

On top of all its advanced features and technologies, the AG-HVX200 inherits the refined design and easy operation that distinguishes Panasonic's high-value DVX100 DV camera series. In the AG-HVX200, video professionals of all kinds will find a powerful tool for giving form to their creative visions.

• Features:
• True high definition image quality with low-compression DVCPRO HD intraframe recording
• Multiple formats: DVCPRO HD, DVCPRO 50, DVCPRO, DV selectable
• High definition recording formats: 1080/60i, 1080/24p, 1080/24pA, 1080/30p, 720p (variable frame rates)
• Standard definition recording formats: 480/60i, 480/24p, 480pA, 480/30p
• CineSwitchTM technology for variable frame rates in 720p mode: 12, 18, 20, 22, 24, 26, 30, 32, 36, 48, 60fps
• 1/3" 16:9 native high-sensitivity progressive 3-CCD with 1080/60p scanning
• 16:9/4:3 switchable for standard definition recording, 16:9 native for HD
• Wide angle Leica Dicomar HD lens with optical image stabilizer
• 13X zoom range: focal length = 4.2 to 55mm (35mm equivalent: 32.5 to 423)
• Advanced gamma functions and eight gamma settings including two CineGammaTM modes and NewsGammaTM mode
• Two P2 card slots with hot swap capability
• Mini-DV tape transport for DV recording
• Internal downconversion and frame rate conversion from HD source recorded on P2 cards to Mini-DV tape
• 48kHz 16-bit 4-channel PCM audio (2 XLRs with phantom power)
• Built-in stereo microphone (unidirectional microphone optional)
• Analog component (Y, Pb, Pr) output
• Composite input/output
• Standard IEEE 1394 interface
• USB 2.0
• SD memory card slot for sharing scene files
• SMPTE color bars
• Slow, synchro and high speed shutter

SONY PMW-EX1 XDCAM EX

The Sony PMW-EX1 XDCAM EX utilizes three newly designed 1/2-inch type "Exmor"™ CMOS sensors, each with an effective pixel count of 1920 x 1080. Coupled with newly developed signal processing, this camera produces truly exceptional images in 1080p, 720p and 1080i HD. Using another new Sony innovation, the SxS Memory Card flash memory device, very high data transfer speeds are also made possible in order to enhance the High Definition content creation workflow. Utilizing the MPEG-2 Long GOP CODEC to achieve a balance of quality and the required bit rate, you can now record approximately 140 minutes using two 16GB SxS Memory Cards in SP mode and 100 minutes in HQ mode. Additionally, the PMW-EX1 offers a powerful Slow & Quick Motion feature, or what is more commonly known as "over-cranking" and "under-cranking", to enable users to create slow and fast motion special effects.

• Features:
• High quality full HD image acquisition.
• New 1/2" Exmor CMOS Sensors with 1920 x 1080 effective pixels each - no pixel interpolation necessary.
• Solid state memory recording using Sony's new SxS Pro ExpressCard flash memory media.
• Integrated Fujinon 14x Zoom Lens – 5.8mm to 81.2mm (equivalent to 31.4mm to 439mm on 35mm film lens).
• Color peaking display, with selectable color indicator.
• Lens Grip Rotation Mechanism
• Several Focus Assist Functions
• Built-in Stereo Microphone
• User definable Picture Profile function.
• Under and Over Cranking feature (1-30 fps in 1080 and 1-60fps in 720).
• Shot Transition Function.
• 3.5" High resolution LCD panel, with 1920 x 480 pixels, offering a horizontal resolution of more than 700 TV lines.
• Depth of Field LCD/ EVF Display.
• Brightness Level indicator in on LCD and EVF.
• Histogram Display on LCD/EVF
• SDI connector, selectable for either HD or SD output.
• Shutter Angle Setting (180, 90, 45 22.5 and 11.25 degrees).
• Slow Shutter and Extended Slow Shutter function.
• Four User Assignable Buttons.
• Supports 2 operational modes - HQ and SP.
• HQ captures full 1920 x 1080 images, or 1280 x 720 images, at 35Mbps.
• SP mode captures 1440 x 1080 images @ 25Mbps
• Continuous, uninterrupted recording on multiple cards.
• Interval Recording Function.
• Frame Recording Function.

Panasonic AG-HPX500

The AG-HPX500 P2 HD shoulder-mount camcorder delivers a unique combination of high-end features never offered in a camcorder in this price bracket, including production-quality 2/3" progressive 3-CCDs, DVCPRO HD quality, multi HD and SD formats, variable frame rates, and four independent audio channels. In addition, the HPX500 offers the outstanding benefits of P2 solid state recording including ultra-fast IT workflow and no-moving-parts reliability, which makes the camera ideal for use in harsh environments.

To give your productions tremendous flexibility, the HPX500 records in over 32 HD and SD formats. The camcorder records on re-usable, removable P2 cards. With Panasonic's new 16GB P2 card and HPX500's four P2 slots, the camera records for 68 minutes of DVCPRO HD; 136 minutes of DVCPRO 50; and 272 minutes of DVCPRO.

• Camera features:

• Records in 1080/60i, 50i, 30p, 25p, and 24p; in 720/60p, 50p, 30p, 25p, and 24p; and in DVCPRO 50, DVCPRO AND DV.
• Equipped with eight gamma modes.
• 11 preset variable frame rate steps from 12p to 60p to allow fast or slow motion effects.
• Immediate viewing of all shots on 3.5” LCD.
• B4 lens mount accepts HD and SD lenses as well as the P+S Technik PRO 35 cine lens adapter to accommodate most 35mm prime and zoom lenses.

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Panasonic AJ-HPX2000

The AJ-HPX2000 P2 HD shoulder-mount camcorder integrates native HD progressive 2/3" 3-CCD performance with the ultra-high reliability and speed of P2 solid-state recording. As one of the most flexible, full production-quality cameras available, the AJ-HPX2000 records pristine high-quality images in over 30 HD and SD formats ranging from 1080p, 1080i, 720p, 480p, 480i and 576i.

The AJ-HPX2000 holds up to five P2 cards offering users extended recording time. With five 32GB P2 cards, professionals can record 6 ½ hours in DVCPRO HD 720p native.

• Camera features:

• Compatible with DVCPRO HD/50/25 and optional AVC-Intra 50/100.
• Multi-format recording system that supports a total of 30 HD and SD U.S. and international formats, including 1080/59.94i, 1080/50i, 1080/29.97p, 1080/25p, 1080/23.98p, 720/59.94p, 720/50p, 720/29.97p, 720/25p 720/23.98p and more.
• Offers DVCPRO HD Native recording frame rates, including 720 23.98p / 25p / 29.97p.
• 2/3" 3-CCDs with 14-bit A/D processing.
• Time lapse.
• High-speed file transfers are easy with industry-standard IT interfaces, including USB 2.0 and IEEE 1394.
• Ultra-reliable, solid-state recording for superior reliability in harsh environments including temperature.
• B4 lens mount accepts HD and SD lenses as well as the P+S Technik PRO 35 cine lens adapter to accommodate most 35mm prime and zoom lenses.
  

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Panasonic AJ-HPX3000

The AJ-HPX3000 is the industry's first native 1080p one-piece camcorder to capture master-quality high definition video. It features three 2/3" high density 2.2 million pixel CCDs and records in industry-standard DVCPRO HD at 1080 in 24p, 25p, 30p, 50i and 60i and can produce standard definition recordings in 50Mbps DVCPRO50.

Designed for movie, commercial and TV program production, the HPX3000 combines the ultra reliability of P2 HD solid-state recording with high-end features, including six advanced gamma settings, Film-Rec mode (made popular by the VariCam), film-like shutter controls as well as intuitive film camera-like operation.

• Camera features:

• 24p, 25p, 30p, 50i, 60i formats
• High sensitivity of F10 at 1,000 lux in 1080i and a minimum illumination of .064 lx (at +56db gain-up)
• Advanced 14-bit Digital Signal Processing (DSP) circuit with A/D conversion and 12-axis independent color compensation and detail.
• Chromatic Aberration Compensation (CAC) function compensates for and reduces lens error that may appear with very high-resolution recording.
• Ultra versatility of P2 HD recording, including instant recording startup.
• Fast, flexible on-set workflow for immediate access to video content.
• B4 lens mount accepts HD lenses as well as the P+S Technik PRO 35 cine lens adapter to accommodate most 35mm prime and zoom lenses.
  

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Panasonic AJ-HDC27FP Varicam

Replicating many of the features of film-based acquisition, the 2/3” HD progressive scan camcorder will appeal to seasoned cine shooters. The AJ-HDC27 operates as a 24 fps camera, a standard 60 fps video camera, and has a variable frame rate range of 4 to 60 fps in single frame increments. Featuring Panasonic’s CineGamma™ software, the AJ-HDC27 is able to emulate films gradual transfer function performance, increasing its usable dynamic range—especially in the highlights.

• Camera features:

• Variable frame rates from 4 to 60 fps.
• Selectable gamma curves to create desired film tones.
• Can store data files onto SD memory cards for various “looks.”
• Picture enhancing circuits: Auto knee, detailing, shading compensation, 12 pole color matrix and masking.
• Gain values ranging from -6 to +36dB.
• 6 shutter speeds (1/100, 1/120, 1/250, 1/500, 1,1000, 1/2000)
• Handheld Extension Control Unit (ECU) AJ-EC3P of camera settings serves as the camera’s external “paint box.”
• With P+S Technik’s PRO 35 Adapter, the camera can accommodate 35mm prime and zoom cine lenses.
  
  Note: Most 35mm format cinema lenses interface with this camera system. Please consult a Schumacher representative for any limitations that may apply.
  

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Sony CineAlta HDW-F900R

The HDW-F900R camcorder records images in accordance with the CIF (Common Image Format) standard, which specifies a sampling structure of 1920 x 1080 active pixels (horizontal x vertical). Plus, as well as recording at 24P, the HDW-F900R camcorder is switchable to record at 25P, 29.97P progressive scan, and also at 50 or 59.94 Hz interlaced scan. The camcorder also provides a comprehensive range of features for creative shooting such as enhanced gamma features and colorimetry controls. Plus, the design of the HDW-F900R is highly compact and lightweight, giving users higher levels of mobility and comfort when shooting.  In combination with its renowned 24P capability, these great functionalities make the HDW-F900R the perfect solution for shooting television series, documentaries, commercials, as well as motion pictures.

• Camera features:

• Camera image capture complies with the ITU-R, BT 709-3 Recommendation for High Definition Production and International Programe Exchange.
• Equipped with 2/3" type 2,200,000 sensor FIT imager, providing high resolution 16:9 images.
• Compact, lightweight and robust body design with cinematography accessories attached.
• Continuous recording time of up to 50 minutes (24P mode).
• Newly developed LSI for ADSP (advanced digital signal processor) improves picture quality, ensuring picture stability and operational reliability while reducing total power consumption.
• B4 lens mount accepts HD lenses as well as the P+S Technik PRO 35 cine lens adapter to accommodate most 35mm prime and zoom lenses.
  

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RED ONE

Now available through Schumacher Camera is the camera you have been hearing a buzz about throughout the production industry – the RED ONE!  This camera features the Mysterium Super 35mm cine sized (24.4 x 13.7mm) CMOS sensor (4520 x 2540 pixels) which captures outstanding progressive images at 4k (1 to 30fps), 3k (1 to 60fps), or 2k (1 to 120fps) resolution.  As a standard feature on the RED ONE, its PL lens mount allows you to use a vast array of cine lenses (with their depth of field qualities) for the ultimate in creative control.  Also available is the B4 (Sony) to PL lens mount adapter which will allow the use of all the HD lenses you have come to love (in 2k mode).  As for a recording medium, RED’s Compact Flash 8GB cards will record about 4 minutes of footage each at 4k resolution and the RED DRIVE (320GB RAID) will record between two and three hours of 4k REDCODE RAW footage.  Finally, its modular design and light weight allow it to be set up in multiple configurations whether it be as a remote, hand held or fully loaded studio camera.

• Basic package features are:

• RED ONE camera body with PL mount
• RED-LCD on board monitor
• RED RAIL system
• CF (Compact Flash) Read/Write Module
• (4) CF 8GB cards
• RED CRADLE (holds RED DRIVE and battery)
• (4) RED BRICK on board batteries (140wh each) with charger
• (4) Mini XLR to XLR adapters
• AC power supply

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P+S Technik Mini 35 Digital with Canon XL-1s

The P+S Technik Mini 35 Digital with Canon XL-1s is a hybrid camera system that bridges the worlds of film and digital video. Utilizing the popular Canon XL-1s Mini DV cam, the P+S Technik Mini 35 Digital adapter allows the use of 35mm format cinema lenses to capture images on a built-in ground glass located at the focal plane. The XL-1s in turn records the image from that ground glass. The result is an image that retains all the qualities of the 35mm lenses: same angle of view, same depth of field and full focal range. The system can be used in studio or hand held mode, utilizing most Arriflex style mechanical accessories (matte box, follow focus, etc.). Combined with the camera's 'movie mode' function, the result is amazingly film like.

• The standard P+S Technik Mini 35 Digital with Canon XL-1s system includes:

• Canon XL-1s camera body
• P+S Technik Mini 35 Digital adapter
• Arri sliding base plate w/ 15mm rods
• (2) Canon 7.8v mini onboard batteries with charger (for ground glass)
• Canon to Anton Bauer battery adapter
• Choice of color finder or high resolution black and white finder
• (2) 12v power cables
  
  Note: Most 35mm format cinema lenses interface with this camera system. Please consult a Schumacher representative for any limitations that may apply.
  

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Cine Magic International's Photo-Sonics 4ER+

The highest speed pin registered 35mm camera available anywhere. The camera features: the capability to operate from 6 to 425 frames per second, utilizing 12 pull down pins, 4 registration pins and a vacuum assisted gate; a flicker free, shuttered color CCD video assist; mid-shutter pulse for Unilux strobes; variable shutter adjustable from 5 to 50 in 5 degree increments and 50 to 120 in 10 degree increments and a swing over view finder system. The PL lens mount can be set up for standard or super 35

• The standard Photosonics 4ER+ package includes:

• Camera Body with 6 - 360 fps capability
• Digital counter and speed display
• Swing over finder system
• Standard 35 PL Mount
• Support bracketry for 15mm or 19mm rods
• (2) 1000' Magazines
• Unilux connection
• 220v. power cables and tie-ins

Note: Due to the advanced routine maintenance procedures and precise tolerances, a Cine Magic International approved camera technician is required to be hired with the Photosonics 4ER+. The technician does not replace the role of the camera assistant.

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16mm Camera Packages

Arriflex 16SR-3

The 16SR-3 sync sound camera is equipped with a 6-stage variable shutter, time code, Arriglow, PL mount and is designed for regular and Super 16 formats. The camera speeds range from 5 to 75 fps with built-in crystal speed control. It has preset speeds of 24, 25, 29.97 and 30 fps.

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Arriflex 16SR-2

The 16SR-2 sync sound camera operates with crystal controlled speeds at 24 or 25 fps. It can also operate from 5 to 75 fps with an external speed control. The camera is available in PL or bayonet mount.

• The standard 16SR package includes:

• Camera body
• Extension eyepiece
• Sliding base plate
• Long & short rods
• Right hand grip
• TV ground glass
• 2 - power cables

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Aaton A-Minima Super 16

The Aaton A-Minima is the lightest, most ergonomic Super 16mm reflex camera available. The A-Minima uses special 200 ft. B wound daylight rolls, meaning no changing bag needed.

• The standard Aaton A-Minima package includes:
• Camera Body
• B/W CCD video assist w/ manual iris
• Built-in incident photometer
• Built-in intervalometer
• Time code (AatonCode-II)
• Super 35 PL Mount
• (3) 200' Magazines

Note: Camera will run 1-32 fps with approx. 1 hour run time using 4 internal 3v. lithium cells, and 1-50 fps using an external 12v battery.

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