HD Accessories

MATTE BOXES
ARRI MB-14 6.6” X 6.6” 4-stage Matte Box
Chrosziel 4 X 5.650” Light Weight Matte Box
Chrosziel 4 X 5.650” 2 Stage Light Weight Clip On Matte Box (for Zeiss Digi Primes)
ARRI LMB-4 6.6” X 6.6” 2 Stage Clip On Matte Box (for cine lenses)
ARRI LMB-3 4 X 4”/ 4 X 5.650” Clip on Matte Box (for cine lenses)

FOLLOW FOCUS
ARRI FF-4 Light Weight/Studio Follow Focus
ARRI FF-3 2 Speed Studio Follow Focus
Chrosziel Light Weight Follow Focus

HD MONITORS
6” ERG HDM-EV30D HD/SD on board monitor
6” Astro 3004 on board monitor with waveform and vectorscope
8.5” Panasonic BT-LH900 HD/SD LCD on board monitor with waveform
17” Panasonic BT-LH1700 HD LCD monitor
18” Panasonic BT-LH1800 HD LCD monitor
20” Sony PVM-20L5 HD/SD CRT monitor
23” Sony LMD-230W HD/SD LCD monitor

PANASONIC VARICAM ACCESSORIES
Panasonic Frame Rate Converter
Vari Speed VSC-27 Speed Ramp Unit
Panasonic Gamma Correction Unit
AJA HD10MD3 HD-SDI Downconverter
Panasonic ECU (Extension Control Unit) AJ-EC3P aka “The Paintbox”
Abakus Extension Viewfinder

PANASONIC P2 DATA MANAGEMENT     
The Panasonic P2 “Store” (AJ-PCS060G) is a 60 GB portable hard disk unit which can receive P2 card contents and in turn transfers the same content to another storage device such as on set laptop, large capacity hard drive, or later to a nonlinear editing system.
For P2 “Store” Quickguide click here

The Panasonic P2 “Drive” (AJ-PCD20) allows the content of up to five P2 recorded cards to be downloaded to laptops or hard drives in the field or into nonlinear editing systems and servers in post.

The Panasonic P2 “Gear” (AG-HPG10) has a built in 3.5” LCD monitor which allows for the viewing of P2 recorded content.  In addition, it also handles on set backup recording and file management of your footage.

The Panasonic P2 “Mobile” (AJ-HPM100) boasts a built in crystal clear 9” LCD monitor which allows for the viewing and stereo listening of P2 recorded content.  In addition, it also handles on set backup recording and file management of your footage.

THE RED ONE ACESSORIES
The 5.6” RED LCD on board monitor provides a very nice looking 1024 x 600 pixel image for the viewer.  Features include SurroundView™ look around and frame guide overlays, camera status indication, focus assist, waveform monitor, histogram, false color and zebra exposure, audio level, frame rate, battery status and media remaining.

The CF (Compact Flash read/write) Module is simply an interface by which the 8GB CF media cards can be inserted.

Each CF (Compact Flash) 8GB card provides about four minutes of footage in 4K resolution.

The 320GB RED DRIVE is made up of two 2.5” 160GB laptop hard drives and is capable of recording between two and three hours of 4K REDCODE RAW footage.

The RED RAIL system allows weight to easily be distributed closer to the camera body or further away in tripod or hand held modes.

HD MONITORS

6” ERG Ventures HDM-EV30D

The HDM-EV30D is a compact, six inch LCD monitor for HDTV and SDTVs. There are two systems of video input, HDSDI and analog HDTV or SDTV. The active LCD area has a 960 x 540 resolution, and can display 16.77 million colors by having 8 bits per RGB. Because of its resolution, the HDM-EV-30D can naturally display its images when receiving signals from the HDTV 1080. This is possible because it does not need to make any conversions to other resolutions.

• Features include:
• Color Temperature Controls: 6500K and 9300K. The user may easily change the color temperature.
• A wide variety of marker indicators: Center marker that indicates the center of screen, framing marker that indicates screen size (four types of TVs, two types of film), a sliding marker which can be placed anywhere, and a safety marker which indicates the safety area. These markers appear on the upper region of the screen, and help frame the range of the shooting area.
• Aspect ratio function: When images are recorded using a lens that optically expands or contracts, the recorded digital image is also distorted, and cannot be displayed correctly on an ordinary monitor. The HDM-EV30D uses the aspect ratio function to correctly display the recorded original image.
• Masking function: This function has similar uses as the framing marker mentioned above, but this function can mask out the region outside of the image area with a 4:3 or 16:9 ratio.
• Gamma Correction: In recent years, there have been many cases where images shot with a camera have a special gamma setting. In this case, the ordinary γ=2.2 monitoring cannot properly display the darkness, and is difficult to see. The HDM-EV30D uses its gamma correction function, and can lighten the image so that it facilitates the monitoring process.
• Peaking Indicator: This function facilitates focusing when shooting.
• Screen Capture/Picture Freezing: This function freezes the screen temporarily.

6” Astro WM 3004

The WM-3004 is a portable wave form monitor that is optimal equipment for filming in locations where transportation of equipment is difficult such as in the recesses of a mountain or an overseas location. Multiple functions like image confirmation monitoring, wave form monitoring and vector scoping are provided in a single unit. This monitor now been upgraded with a Quad Display Function in which the Waveform, Vector Scope, Sound Detail and Picture can be displayed simultaneously in split screen display. Demanding environments is not required as it accepts full HD format and SD (525i and 625i) input signals while power is supplied by camera batteries. WM-3004 provides pleasant location filming that had previously been very difficult.

• Features include:
• Picture mode: Marker identification (center, frame, 4:3, 13:9, 14:9, 2.35:1. 1.75:1, 1.66:1) Adjustment function: contrast, brightness, chroma level. Chroma ON/OFF.
• Quad Display: Split Screen Display includes Waveform, Vector Scope, Sound Detail and Picture.
• Wave form mode: Parade identification Overlay display Line select function GAIN (x1, x2, x4) MAG (x1, x2, x4).
• Vector scope mode Color bar scale (100%, 75%) IQ axis identification Line select function Enlargement identification (x1 x2 x4).
• Status mode Digital value from an arbitrary line sample is displayed Moves to EAV / SAV by one touch Audio status identification.
• Common function Input format identification Input signal overlap identification Freeze function CRCC error search function (when HD-SDI input) Embedded audio output Tally signal identification.

 

8.5” Panasonic BT-LH900 HD LCD Monitor with Waveform

The Panasonic BT-LH900 Multi-Format Color Production Monitor greatly simplifies HD and SD monitoring on location or on a sound stage.  It’s a slim 2.5-inch profile, light 4.4 lbs. and energy efficient by consuming less power that a conventional CRT HD monitor. In addition, DC operation makes it ideal for outdoor applications.
This fantastic monitor is equipped with two SDI inputs automatically detecting HD or SD, one component input (Y/Pb/Pr or RGBS), and one composite input. The new Video/Cine Gamma Conversion Table and built-in waveform monitor function support HD production when using the popular Panasonic VariCam HD Cinema Camera. It easily mounts atop the VariCam and other cameras as well. Also convenient is the separate control panel that can be mounted on the top, side, or bottom of the monitor. Designed for side-by-side rack mounting (optional) and equipped with both DC input and Anton Bauer Gold Mount, the BT-LH900A brings the same high level of performance and convenience to OB vans and studio/control rooms.
 It provides for high-brightness, high-contrast viewing up to a 170-degree viewing angle, both horizontally and vertically, that minimizes color variation and ensures sharp images.

17” Panasonic BT-LH1700 HD LCD Monitor

The BT-LH1700W 17" widescreen production-quality monitor features two auto-switching SDI / HD-SDI inputs, waveform monitoring, and freeze frame/split screen functions. Desk stand is included.

• Features include:
• Waveform monitor – a superimposed function that graphically displays luminance levels from zero to 110 IRE in any of the monitors four corners.
• Freeze frame/split screen-frame grab for scene comparison and critical color matching.
• Two dual-rate SDI HD or SD inputs (one with loop out) with auto sensing.
• Component input on BNC connectors-Y, Pb, Pr and PC RGB inputs.
• Faithful color reproduction-closely matches chromatic ranges of CRT monitors.
• WXGA resolution (1280 x 768).
• Diagonal line compensation - smoothes out "jaggies" for improved SD response.
• 176 degree viewing angle up/down and left/right.
• One-piece design - no umbilical cord or separate AC power supply.
• Frame marker lines-4:3, 16:9, 2.35:1 or background shading at 0%, 50% or 100%.
• Amplified stereo speakers-two RCA pin jacks input.
• AC or DC power - 117 Volt AC or 12 Volt DC inputs (4-pin XLR)

18” Panasonic BT-LH1800 HD LCD Monitor

Ideal for ENG, EFP and studio operations

Ideal for ENG, EFP and studio operations

Supports HD and SD

SXGA resolution

Ultra-thin, space-saving design

Ultra-sharp resolution

Composite, S-video I/O

Industry's widest viewing angle - 117 degrees horizontal and vertical

20” Sony PVM-20L5 HD/SD CRT Monitor

This 20" professional multiformat monitor is equipped with input connectors for composite and RGB/component signals. In combination with the optional input adaptors, it is also able to accept a wide range of digital signals including 480/60i, 575/50i, 1035/60i, 1080/60i, 720/60p and 1080/24Psf. The PVM-20L5 incorporates the Sony HR Trinitron® CRT to achieve a high resolution of 800 TV lines and offers SMPTE-C phosphors for outstanding uniformity and picture quality.  The compact design, with operational controls located on the sides, utilizes less rack space than conventional monitors. LED lit sheet keys are adopted for the controls, and can be turned off or dimmed depending on user preference. The new window-type OSD makes monitor setup, adjustment and operation easy. The PVM-20L5 is capable of displaying both 4:3 and 16:9, and a 16:9 aspect ratio mask is available as an option. With the parallel and RS-485 serial remote control capability, the PVM20-L5, along with the BVM broadcast monitors, can be controlled in one integrated, multi-monitor system. H/V Delay, Underscan, Blue Only, MONO, 4:3 Area Marker and three color Tally functions are provided for optimal display.

23” Sony LMD-230W HD/SD LCD Monitor

LUMA Professional LCD Monitors. Flat, thin, cool, smart. That's what the pros want and Sony delivers...introducing Sony's new full line of LUMA Monitors! As a studio professional, you already know Sony monitors – the most extensive, high-performance line of CRT monitors in the industry. Now, Sony LUMA monitors bring the same studio-quality professionalism to LCD monitors!

• Features include:
• High brightness and high contrast.
• Lightweight and thin.
• Complying with the VESA standard, LMD-230W can easily be mounted on a wall or from a ceiling. With the optional monitor stand, LMD-170W can be neatly laid out on the desk. And with the stand, the monitor can be tilted and the height can be adjusted to another conventional CRT monitor.

PANASONIC VARICAM ACCESSORIES

Panasonic HD Frame Rate Converter (AJ-FRC27)

The AJ-FRC27 converts the frame rates of images recorded using the Varicam. It extracts the frames you designate, records them to an internal HDD, and plays them back (up to 100 minutes). This lets you play fast-motion or slow-motion effects in their actual, intended timeframes.
The AJ-FRC27 also serves as a format converter. You can convert 720p images to 1080/23.98(24)psF, 1080/59.94(60)i, or 1080/50i (see conversion table). A built-in, simplified down-converter lets you monitor SD analog output. Adding an optional down-converter board also gives you high-picture-quality conversion to NTSC or PAL. The time code is automatically converted at the same time, ensuring that optimal image sources are output in the desired format. The AJ-FRC27's compact, half-rack size and 5U profile make it good fit for applications ranging from studio use to EFP or relay use.

Varispeed Speed Ramp Controller (VSC-27)

This controller enables you to program a controlled frame rate change over a defined period of time.  Also, it will give you control over the Panasonic Varicam’s time lapse recorder so that all you do is program the controller with the duration of the scene and how long you want it to last on screen and it will program the camera’s intervalometer accordingly.

Panasonic HD Gamma Correction Unit (AJ-GBX27)

The AJ-GBX27 is for use when the VariCam is in FILM MENU mode and CINE GAMMA SEL is set to FILM REC.  This device applies a gamma correction curve to the HD-SDI monitor output of the VariCam so the director of photography can see a more accurate representation – in the field, on a production monitor – how the final image will appear after its output to film or after footage is corrected for an HD release.  The AJ-GBX27 is extremely easy to use - simply choose the desired correction mode.

• Field Mode corrects underexposed and low-contrast F.REC gamma images, and outputs monitor images with full film texture that can be used to check the lighting. There's a setting for ordinary daylight and one for nighttime shooting.
• Telecine Mode is a post-processing mode that uses movie footage to produce TV content with a film-like texture (a telecine look). This mode preserves the high image quality by correcting intermediate gradation while maintaining highlights and shadows.
• The Video Rec and Video modes are simulation modes for converting images with F.REC gamma characteristics to V.REC gamma or video gamma characteristics for comparison.
• CG mode is a film production mode that reverse-converts images into F.REC images after they were previously converted to telecine mode and CG-processed for production ease. Also provided is a user mode that lets you install any desired conversion table from a PC.

In addition to 720p (59.94/60 Hz), the AJ-GBX27 is compatible with 1080i (59.94/60/50 Hz) and 1080p (23.97/24 Hz) HD formats (note that this is NOT a format conversion function.  It allows input/output of the same format only!).  This makes it ideal for recording and for editing, package production, and a host of other applications.  The 12 volt power supply (XLR 4 pin) lets you take the unit into the field.  One HD-SDI input, two HD-SDI outputs, and an analog HD (Y/Pb/Pr) output are provided for convenient monitor connection.

AJA HD10MD3 Downconverter

The HD10MD3 is a miniature digital downconverter for converting HD-SDI video to standard definition SDI and analog component/composite video. The HD10MD3 uses a full 10-bit data path and multi-point interpolation to produce broadcast quality downconverted video. In addition, the HD10MD3 converts either 1080p24 or 1080p24sf to 59.94 Hz output video using the standard 3:2 pulldown technique. The output can be formatted for either 4:3 or 16:9 standard definition monitors. Four-channel input embedded HD-SDI audio is passed to the SDI output.

• Features include:
• Low Cost Digital HD Downconverter
• Dual rate HD-SDI/SDI Input
• HD-SDI/SDI Outputs
• Multi-Standard Input Including 1080p24/sf
• 10-bit Data Path, Multi-Point Interpolation
• Configurable for 16:9 or 4:3 Output
• 4:3 Safe-Zone Graticule
• Dipswitch User Configuration

Panasonic ECU (Extension Control Unit) AJ-EC3P aka “The Paintbox”

This handheld remote control panel transfers what are normally menu adjustments to physical switches, knobs and buttons for ease of use in the field.

PANASONIC P2 DATA MANAGEMENT

Panasonic P2 “Store” (AJ-PCS060G)

The Panasonic P2 Store is a rugged, portable hard disk unit with a P2 card slot that quickly transfers the content of P2 cards to an internal hard disk drive.

The 2.5" 60GB hard disk drive can hold the contents of up to seven 8GB P2 cards.  After the P2 content has been transferred, the Store can connect to a nonlinear editing system or server or ingests to a PC via a USB 2.0 interface and appears as a series of external disk drives. It has a shock-resistant magnesium alloy body and is equipped with special impact-absorbing materials to cushion the hard disk against shock and vibration.

In the field, the less than 1.5 pound Store serves as an aggregation and transport device, storing the contents of P2 cards and minimizing the number of P2 cards needed. Back at the studio, it serves as a high-speed drive for transferring video into a station's local area network (LAN) or nonlinear editing system to speed access to the recorded content.

For quick and easy operation, the Store simply has a large start button. The drive also includes LED indicators for copy status, drive capacity, and battery life remaining. The drive supports Windows 2000, Windows XP and Apple operating systems. Drivers for all operating systems are included. It runs on DC power, so you can use a 7.2V DC battery or a 7.9V AC adaptor to power it.

Panasonic P2 “Drive” (AJ-PCD20)

This solid-state memory drive answers the need of today's video professional for faster, easier file transfers on the desktop or in the field. This flexible, time-saving internal/external drive allows users to mount five 8GB P2 cards simultaneously for instant access and continuous editing of all recorded content in sequence. The P2 drive now offers an IEEE1394b interface (in addition to USB 2.0) for high-speed transfers of DVCPRO, DVCPRO50, or DVCPRO HD content into nonlinear editing systems and servers. Compatible with Windows 2000, XP and MAC OS X, the AJ-PCD20 can be installed directly into a standard PC 5.25" bay drive enclosure or connected to a computer and local area network (LAN) via its USB 2.0 or IEEE1394b interfaces. The flexible AJ-PCD20 also serves as a stand-alone external drive when connected with laptops for in-the-field use.

• Five P2 card slots
• High speed data transfer with IEEE 1394b and USB 2.0 interface
• Internal or external PC operation - installs in a standard 5.25" bay or connects using USB 2.0 or IEEE 1394b
• Windows 2000/XP and Mac OS X support

Panasonic P2 “Gear” (AG-HPG10)

Dubbed the P2 Gear, the 1.1-pound, battery-operated AG-HPG10 provides viewing, backup recording and file management of P2 recorded content in a single, small portable unit.
With two P2 card slots and a 3.5-inch 4:3 LCD monitor, the P2 Gear offers on-the-spot playback and viewing of P2 content in multiple formats (1080i, 720p, 576i and 480i). The heavy-duty, shock-resistant player is equipped with speakers, easy-to-use controls and professional input/outputs (IEEE 1394, USB 2.0 and HD-SDI) for essential in-the-field functions including: viewing clips recorded on a P2 card or the FOCUS FS-100 portable hard drive, copying files to an external hard drive, outputting a playback signal to a large monitor and backup recording with P2 HD/P2 or tape-based DVCPRO cameras. To expedite workflow, the P2 Gear can be connected to a Windows PC or Mac and used as P2 card reader for data transfers into nonlinear editing systems. In addition, it can be connected to a PC or MAC for baseband monitoring or integrated with conventional tape-based decks and recorders as a source device without control.

• Features include:
• Playback and scene clip viewing in 1080i (24p, 24pA, 25p, 30p, 50i, 60i), 720p (24p, 24pN, 25p, 25pN, 30p, 30pN, 50p, 60p), 576i (25p, 50i) and 480i (24p, 24pA, 30p, 60i)
• Supports downconversion from HD (1080 or 720) to SD (480) and cross-conversion (720 to 1080) for HD transmission
• Time-saving file management functions including: Clip copy (copy select clips from one P2 card to another in the P2 Gear), Thumbnail image change (by default, the first image in a clip is used as the thumbnail), Clip Metadata Edit (update a clip's metadata with specific information such as names and location), Text Memo (save a text memo to individual clips when recording or previewing) and Shot Marker (shot mark specific clips)
• Plays back variable frame-rate sources (recorded in 720pN mode with the AG- HPX500 or AG-HVX200 P2 HD camcorders)
• Supports waveform/vector scope display
• Continuous loop playback function
• IEEE 1394 and USB 2.0 with host function for PC and Mac connection
• HD-SDI output
• Component and Composite video output
• Audio output (CH1/CH2 pin jacks)

Panasonic P2 “Mobile” (AJ-HPM100)

This portable, rugged 4:2:2, 10-bit capable solid-state memory recorder/player is ideal for field production, postproduction as well as ENG applications.  It features multi-format recording (DVCPROHD/50/25 and in AVC-Intra) and playback with a six-slot P2 card reader, versatile inputs/outputs (HD-SDI, IEEE 1394, USB 2.0), an SD memory card slot, job/shuttle dial and up/down/cross conversion between 1080i and 720p and between high definition and standard definition formats. Plus, the P2 Mobile combines professional editing controls with audio faders, a 9-inch widescreen LCD monitor with stereo speakers, and a compact, magnesium die-cast body. It's a versatile and powerful mobile recording/editing solution for field recording (including pool feeds) and video production, as well as for use in mobile vans or in desktop non-linear/linear editing systems.

With its extensive functionality and multiple-format video capabilities, the P2 incorporates the best of the AV and IT worlds, allowing you to work in 10-bit, 4:2:2 high definition or standard definition, bridging the gap between the P2 file format and baseband video. The P2 Mobile's capabilities enable you to excel at projects that require multiple video, audio, IEEE1394, RS-422 serial control for NLE connections, and let you take advantage of USB 2.0 to connect with industry-standard disk drives for consolidation of P2 card content.

• Records in 1080i and 720p with Up/Down/Cross conversion for playback
• Long record times -- with six 16GB P2 cards installed, the P2 Mobile can record 96 minutes in DVCPRO HD; 192 minutes in DVCPRO 50; and 384 minutes in DVCPRO.
• Six card slots allow you to record a continuous, extended clip in sequence onto six P2 cards. Or use five of the P2 slots for recording and use the sixth slot to output an edited playlist.
• Plays DVCPRO HD native frame rates -- 24pN/25pN/30pN that's been recorded with Panasonic's AJ-HPX2000, AJ-HPX500 or AG-HVX200 camcorders.
• Eight 16-bit digital audio channels with 5.1-channel surround sound.
• A multitude of broadcast-level interfaces -- switchable HD/SD SDIs, IEEE 1394 (AVC), USB 2.0, analog, composite, HD component and four-channel analog audio. If you're shooting in HD, but need to connect to an SD or analog monitor, the P2 Mobile has all the inputs and outputs you need. Its USB input/output makes it easy to copy all or select clips to a disk drive simple. Connection of multiple devices is simple and creating dailies copies with time code for screenings is a snap.
• Expedite editing by scrolling through thumbnail previews to view and edit clips immediately.
• Audio Split/Voice Over functions are standard
• Shuttle search at 100X normal speed in forward or reserve and jog search within a range of -1X to +1X speed -- ideal for high-quality, smooth, slow-motion replays.
• Great for back-up HD-SDI recording including automated recording via record flags with Panasonic HD camcorders (P2 HD models including AJ-HPX3000, AJ-HPX2000 and AG-HPX500 shoulder-mount, and DVCPRO HD models including AJ-HDX900 and AJ-HDC27 VariCam) or other tape-based cameras.
• Folds flat for easy transport and storage (weight: 14.4 pounds). AC/DC operation.

THE RED ONE ACCESSORIES

5.6” RED LCD on board monitor

This display provides a 1024 x 600 pixel scaled version of the 1280 x 720 signal generated for the HD Preview output, or the 1280 x 848 signal generated for the RED-EVF, user selectable by a switch on top of the panel. In the either case, the display represents the captured RAW image complete with SurroundView™ look around and frame guide overlays. In the latter case, the display also includes camera status indication including focus assist, waveform monitor, histogram, false color and zebra exposure, audio level, frame rate, battery status and media remaining. The RED-LCD also displays the camera menus when activated. Panel intensity can adjusted to accommodate operation in high ambient light.

CF (Compact Flash read/write) Module

The RED CF (CompactFlash read/write) Module has become the de facto standard method of recording on the RED One. The Module does not actually store data – instead it adds an interface into which CompactFlash media cards can be inserted.  Offering the equivalent of a 400ft film reel per 8GB card, this "necessity" also provides the solution for a speedy and reliable firmware upgrade path.

CF (Compact Flash) 8GB card

Each CF (Compact Flash) 8 GB card provides about four minutes of footage in 4K resolution.

320GB RED DRIVE

The RED DRIVE (RAID)™ is the workhorse of RED ONE™ digital media choices. It is both the lowest priced and highest capacity media available at this time. It is an outboard media format that can be mounted in the RED RAIL CRADLE on the camera body or RAIL system. It interfaces with the camera via the Drive Connector LEMO. The 320GB RED DRIVE is made up of two 2.5" 160GB laptop hard drives arranged in a hardware-based RAID 0. The drives are in a RAID for data transfer speeds – it cannot be reconfigured to record in a RAID 1 mirrored formatting. The RED DRIVE™ is capable of recording between two and three hours of 4K REDCODE™ RAW footage. To the user, what goes on inside of the RED DRIVE™ can be most easily explained as "magic pixies." No matter how you look at it, storing two to three hours of 4K REDCODE™ RAW footage on a drive smaller than an ASC manual is downright unbelievable.

RED RAIL system

The RED RAIL system allows weight to easily be distributed closer to the camera body or further away in tripod or hand held modes.  Using the weight of  the Digital Magazine and battery on the extending rail system, you can counterbalance the weight of different lenses and accessories to match the desired balance point for optimal shooting.  The RED RAIL system takes the shoulder mount to the next level with much flexibility.